SpaceWar.com - Your World At War
'On Her Shoulders' tells of painful burden carried by Nobel winner
Los Angeles, Oct 5 (AFP) Oct 05, 2018
In the soon to be released documentary "On Her Shoulders," Nobel Peace Prize winner Nadia Murad says she didn't want to become known as a "victim of Daesh terrorism."

Murad, 25, a member of Iraq's Yazidi minority who was enslaved by the Islamic State group, on Friday won the coveted award along with Congolese doctor Denis Mukwege.

They were honored for their work in fighting sexual violence.

Murad's painful work speaking out on behalf of her community is chronicled in Alexandria Bombach's film, which won the Directing Award for US Documentary at the 2018 Sundance Festival.

"I would like to not have to tell people what happened to me... I would like them to know me as a top dressmaker or an excellent athlete or an excellent student, a makeup artist or farmer," Murad says of her broken dreams in the film, which will open in US theaters on October 19.

From Canada's Parliament to Germany and refugee camps in Greece, Bombach followed Murad for three months in 2016 on her long and difficult journey to tell the world what her community and she herself suffered as a sex slave of IS, also known by its Arabic acronym Daesh.

"On Her Shoulders" refers certainly to Murad's struggle as spokeswoman for her Kurdish-speaking minority -- which the United Nations says was subjected to IS genocide -- but even more so to Murad the woman herself.

Though bruised, she can still smile, play with a supermarket shopping cart, and worry about her hair.

"Representing her as a human being was important, and I think she enjoyed seeing herself in the movie as someone who lives a normal life," Bombach told AFP.

The US director chose to refrain from all commentary to better allow Murad and those close to her to talk.

Bombach confessed it was sometimes "very depressing" to consider what Murad faced, with very intimate and clinical questions from some media about what IS subjected her to.

"I think the film is for Nadia, and for the Yazidis, but it's a film about us, about everyone outside the Yazidis because it makes us reflect on our own apathy, and empathy," Bombach said.

Murad told the UN two years ago that she wasn't brought up to give speeches or address heads of state, but "everything changed" after the invasion of her village by the jihadists on August 3, 2014.

Murad was among thousands of Yazidi women and girls abducted, raped and brutalized by IS.

After her escape, Murad was named a UN ambassador for victims of human trafficking.

"They say that I am a militant... but basically I see myself as someone who is worth nothing, reduced to a slave for no reason," she tells Bombach's camera.

The day that "the terrorists" are brought to justice, "then I will be worth something," she adds.


ADVERTISEMENT




Space News from SpaceDaily.com
AI systems proposed to boost launch cadence reliability and traffic management
China debuts Long March 12A reusable rocket in Jiuquan test flight
Curiosity Blog, Sols 4750-4762: See You on the Other Side of the Sun

24/7 Energy News Coverage
Redesigned carbon framework boosts battery safety and power
Molecular catalyst switches between hydrogen and oxygen production
Project Pele microreactor reaches key milestone with first TRISO fuel delivery

Military Space News, Nuclear Weapons, Missile Defense
SDA expands Tracking Layer satellite awards and related missile defense contracts
Space Systems Command activates System Delta 80 for assured space access
Rheinmetall ICEYE Space Solutions to provide SAR reconnaissance data to German military

24/7 News Coverage
OPERA satellite data sharpens US crop and water management
Alen Space begins SATMAR satellite validation over Bay of Algeciras
Deep Arctic gas hydrate mounds host ultra deep cold seep ecosystem



All rights reserved. Copyright Agence France-Presse. Sections of the information displayed on this page (dispatches, photographs, logos) are protected by intellectual property rights owned by Agence France-Presse. As a consequence, you may not copy, reproduce, modify, transmit, publish, display or in any way commercially exploit any of the content of this section without the prior written consent of Agence France-Presse.